"To summarize, Ryder's paintings represent a integrated unity of formal elements, an integration however, that is found on several levels. For him, formal balance in a two-dimensional sense, involving the unifying of figure and ground, was combined with tonal control and harmony which was complementary to his designs. The unity of Ryder's works was further enhanced by his choice of an essentially simple vocabulary, a minimum number of shapes and tones which he related to each other in a comprehensible way. In addition to these elements, Ryder's color, like that of the Old Masters, essentially embellished and enriched an underlying tonal framework." – Page 131, Alfred Pinkham Ryder Painter of Dreams by Lloyd Goodrich, 1989 Harry Abrams, Publishers, A Barra Foundation Book
New Bedford Whaling Museum Website
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
Exhibit opened June 24, 2021 – Closed October 31, 2021
Born on March 19, 1847, New Bedford, Massachusetts
Died on March 28, 1917, New York, New York
Siegried and the Rhine Maidens - National Gallery of Art
Jonah - Smithsonian American Art Museum
Flying Dutchman - Smithsonian American Art Museum
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art – Amazon
Published June 30, 2020
By Christina Connett Brophy, Elizabeth Broun, William C. Agee
Published by Rizzoli Electa, 248 pages
Albert Pinkham Ryder for the Smithsonian 1989 Exhibit – Amazon
Published October 17, 1989 by Elizabeth Broun
Published by Smithsonian; 1st edition October 17, 1989
344 pages
Albert Pinkham Ryder: Painter of Dreams – Amazon
Published by Harry N Abrams Inc; 1ST edition October 1, 1989
256 pages
By William Innes Homer, Lloyd Goodrich
Website from ERIK WEEMS